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There are various
versions of the origins of Wing Chun Kuen but no-one knows for sure
as there are no written records as the legend was passed down
verbally from master to student.
During the Qing
Dynasty period Southern China was in turmoil and many rebellious
groups hid there and concealed their true identities from the ruling
Qing government. These rebellious groups where supporters of the old
Ming Emperors and their descendants, and they sought to overthrow the
Qing. Many of them were the survivors of the armies, trained in Shaolin Kung Ku, that were defeated by the Qing. These rebels formed
Unions / Associations / Societies as a cover for there activities.
One of these Associations was called Hung Fa Wei Gun. This group had
a large northern element, including the Hakka people, it was these
that started an Opera Troop so they could travel around the country
without causing suspicion. They taught the southern people Opera and
their Shaolin Kung Fu. After a time the Qing government found out
about this and closed the Association down forcibly. It was many
years before the people dared to start an Opera Troop again. They
eventually did and called the Association “King Fa Wei Gun”. This
became a centre for Opera and Martial Arts training. After a few
years the King Fa Wei Gun purchased two Junks for the Opera troops
to travel around the country.
It was during these
times that the Wing Chun legends were staged. One such legend passed
on to Ku Sifu is as follows.
During these times
in the village of Portien, Fujian Provence there was an old man
highly skilled in Shaolin Kung Fu who owned a Tau Fu shop. He had
been taught in his younger days by Miu Shun, one of the Five Shaolin
Elders. He had an only teenage daughter who was both beautiful and
intelligent. His name was Yim Say and his daughter was Yim Wing
Chun. Yim Say dotted on his daughter and had taught her all he could
of his Kung Fu by the time she was a teenager.
Other
than the main Shaolin temple in the mountains of Fujian there was
another smaller temple called “Fat Sui Lam Sim Ying” and was
occupied by Nun’s and Governed by Ng Mui. Ng Mui was also one of the
Five Kung Fu elders from the main Shaolin temple was very much
respected by all. Yim Yong Chun’s father and the Abbott Ng Mui were
very familiar and knew each other well. He would take Yim Yong Chun
to meet Ng Mui, his Sitai, on his visits to the temple. Ng Mui loved
Yim Yong Chun very much and saw that she was very intelligent and
quick to learn everything she taught her so she decided to take her
as a disciple (Todai). She taught Yim Wing Chun advanced / high level
Shaolin Kung Fu at the temple for 3 years. One day in the temple
gardens Yim Wing Chun witnessed a fight between a Crane and a
poisonous Snake. Using its beak and claws the crane defeated the
snake. After this incident she modified the Crane’s attack actions
and fused it with the Kung Fu she already knew to create a new fist
method. Even though this method was short it utilised both hard and
soft power, using small precise actions to use the opponents force
against him, the fist changes were fast and often using softness to
defeat hardness. When she invented this new method she kept it to
herself.
Also at this time
there was a Young man named *Leung Bak Sau who when he was younger
had a foster father who also had four natural sons. The foster
father was the Linage holder of Choy Family Kung Fu. Due to his good
character and skill the foster father past on the title of linage
holder to Leung Bak Sau before he past away. The real sons where not
happy about this and caused trouble for him. Therefore Leung Bak Sau
agreed to hand over the title to them. He then decided to move away
to another village to become a school teacher. This village happened
to be the village where Yim Wing Chun lived. One day Leung Bak Sau
saw Yim Wing Chun practising her Kung Fu. Her method was odd and did
not look effective so thinking that the way she was training looked
silly, he teased and made fun of her. She was thin skinned and
easily took offense. She wanted to challenge him so she asked her
father and he gave his permission. Leung Bak Sau was soundly beaten
by Yim Wing Chun. A romance ensued and they got married after which
she taught him her Kung Fu. Two years after the marriage Yim Say
passed away and Leung Bak Sau and Yim Wing Chun moved to a village
in Guangdong.
In the olden days
in china the opera was known as Ban Chung. Leung Bak Sau didn’t
belong to the Ban Chung people but being an Opera lover as well as a
Ming sympathizer he came into contact with a lot of the members of
the Opera House people. He took 13 Students and out of all of them
he took the four best fighters in the group to be his disciples. The
four disciples were: **Fa Min Kam / Cheng Dan Kam (Yik Kam), Leung
Lan Gai, Leung Tee Tai, Wong Wah Bo.
He did not have a
name for his Kung Fu so when asked he named it Wing Chun in honour
of his wife.
Leong Lan Gai moved
to Sam Soi, it isn’t known if he took any disciples. Wong Wah Boe &
Leung Yee Tai took a disciple called Leung Jan who became famous for
his fighting skill in Fatsan. When Yik Kam returned to his home town
of Poon Yee and taught the Cho family.
* Leung Bak
Sau name can also be pronounced Leung Fuk Lau or Leung Bok Lau.
**After much
research it is still not certain if Fa Min Kam and Cheng Dan Kam
were the same person or two separate people. |